patricia villalobos echeverría

installations
prints/photos/paintingsprintsphotoptgs.html
homepvehome.html
infoinfo.html
contactmailto:pve2@mac.com?subject=Web%20Contact
videosvideos.html
 




















cuerpossinbordes 2007 cuerposinst.html
oscilaciones 2006oscilaciones.html
alamar 2006alamar.html
sobremar 2005sobremar.html
hoverings 2005hoverings.html
viro 2002-05viro.html
aflujo • afflux 2006aflujo.html
mesoparasitio <13°41'33"N 89°14'30"W>
2011
Installation, EPS foam on wall, four-channel audio, custom-designed furniture
dimensions variable, four-channel audio rt: 35 min. on loop
Installation view at MARTE, Museo de Arte de El Salvador; San Salvador, El Salvador

mesoparasitio <13°41'33"N 89°14'30"W> is part of a series of site-related installations that invade the exhibition space with multiple elements adhered to the walls. The title combines two Spanish words: mesoparásito and sitio. The first, refers to a type of parasite that lives partially embedded in its host, or between two spaces; the second alludes to a siege or to besiege. The title points to the general coordinates of the Museo de Arte de El Salvador as an exhibition space which serves as host to these camouflaged elements.
The installation consists of hundreds of EPS foam sculptures and an audio composition. The sculptures reference outbreaks and eruptions of diverse size and form, some hybrid and alien, others more familiar. The ambient audio is composed of recordings and digital sounds, whose origin oscillates between abstraction and representative sounds of gunshots, helicopters, etc., which have been altered to create, along with the sculptures, a site of contemplation. The work continuously plays between dichotomies: interior/exterior, strange/ familiar, and palpable/invisible.
The work examines seemingly inoffensive situations or elements that are simultaneously harmful, to relationships of power and dependency, and to systems of latent movement that may imperceptibly transform an entire entity. The walls become metaphors for sites of infection and contamination where one questions which is the host and which is the noxious agent. The placement and grouping of the sculptures make slight reference to patterns of current global conflict. The piece suggests a perpetual state of transition, malleability and constant movement that reflects our contemporary condition.
reciprocity 1997reciprocity.html
cortocircuito 2000cortocircuito.html
snow~nieve 2000snow.html
rastreo 2002rastreo.html
aguasmalas 2008 aguasmalas.html
parasite 2009 parasite.html
rash 2009 rash.html
camuflaje 2009 camuflaje.html
salpullido 2010
mesoparasitio 2011
salpullido 2010 salpullido.html
outbreak 2010 outbreak1.html
reviewreviewpdf3.html