selected solo exhibitions
2023
PUSH <> PULL, Netzorg Kerr Gallery, Western Michigan University, Kalamazoo, MI
2022
ONSET>, Westin Gallery, Kalamazoo, MI
Marea, Kellogg Community College, Battle Creek, MI
2019
Retrace:MI, Participatory art project, Grand Rapids, MI
2018
Retrace:MI, Participatory art Project, Art Hop, Kalamazoo, MI
2017
Retrace, Galeria za szkłem, Eugeniusz Geppert Academy of Art and Design, Wrocław, Poland
Retrace, Netzorg & Kerr Gallery, Western Michigan University, Kalamazoo, MI
Transporta Managua, Participatory art project, Managua, Nicaragua
DESDOBLES, Mácula, Managua, Nicaragua
2016
tukituktuk, Participatory art project, Feijiacun, Beijing, China
SURROGATE, Makeshift, Kalamazoo, MI
2014
Trans_Porta Sivar, ADAPTE, Participatory art project, San Salvador, El Salvador
2013
Memeplex@ N14°06'17" W87°11'59", Centro de Artes Visuales Contemporáneo, Tegucigalpa, Honduras
Swarm, The Americas Collection, Miami, FL
2011
Nodes [N 42°57'47” W 85°40'07], Urban Institute of Contemporary Arts, Grand Rapids, MI
Mesoparasitio <13°41'33"N 89°14'30"W>, MARTE, Museo de Arte de El Salvador, San Salvador, El Salvador
2010
Outbreak, Pittsburgh Center for the Arts, Pittsburgh, PA
2008
Aguasmalas, MediaNoche, New York, NY
2006
Aflujo•Afflux, Artist Image Resource, Pittsburgh, PA & Laura Mesaros Gallery, West Virginia University, Morgantown, WV (catalogue)
Alamar (Asea), PROYECTO´ACE, Buenos Aires, Argentina
selected group exhibitions
2023
Fotógrafas Nicaragüenses, Museo de Arte y Diseño Contemporáneo, San José, Costa Rica (curator: Susana Sánchez Carballo, catalogue)
Giro Gráfico. Rumores y clamores del sur, Espacio de Arte Contemporáneo, Montevideo Uruguay (curatorial group: Red Conceptualismos del Sur y Proyecto CasaMario)
Bienal do Duoro, 11th International Printmaking Biennial Duoro, Portugal (curator: Nuno Canelas, catalogue)
2022
Rebelión de Abril, University of Brighton, Brighton, England (curator: Ileana Selejan)
NEBULA, Alianza Francesa, Managua, Nicaragua (curator: Alfredo Caballero)
Borderline Printmakers, Exit Gallery, Wrocław, Poland (curators: Zuzanna Dyrda and Marta Kubiak)
Graphica Creativa 2022 Triennial, Jyväskylä Art Museum, Jyväskylä, Finland
El Giro Gráfico, El Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain
2021
We Art the Global Majority, SPACE Gallery, Pittsburgh, PA
Borderline Printmakers, IMPACT II, Hong Kong, online due to covid
2020
Third International Printmaking Alliance Exhibition, Online due to COVID (catalogue)
2019
6th Silk Road International Art Exhibition in Xi'an. Shaanxi Visual Art Museum, Xian, China (catalogue)
Activate, Main Art Gallery, UTSA, San Antonio, TX
2018
Encuentro, Centro Cívico Numancia, Impact 10, Santander, Spain
International Printmaking Alliance Exhibition, Taoxichuan Art Museum, Jingdezhen, China
2017
Cambiarte. Galería Códice, Managua, Nicaragua (catalog)
2016
International Printmaking Alliance Exhibition, Beijing Taimiao Art Gallery, Beijing, China (catalogue)
Ayotzinapa 43, Instituto de Historia de Nicaragua y Centroamérica, UCA, Managua, Nicaragua
After the Pedestal, The Sculpture Center, Cleveland, Ohio
The Island of Enchantment: La Isla del Encanto, Puerto Rico, Pacific Northwest College of Art, Portland, OR
2015
Bienal del Sur: Pueblos en Resistencia, Museo de Bellas Artes, Caracas, Venezuela (catalogue)
Grafika Post-Cyfrowa, Galeria NEON, The Eugeniusz Geoppert Academy of Art and Design, Wrocław, Poland
Adaptación, Point, San Salvador, El Salvador
Crossover: Bellingham, Western Washington University, Bellingham, WA
GRAM Selects ArtPrize 2014: Encore! Grand Rapids Art Museum, Grand Rapids, MI
2014
Trace+Gestures, Renaissance Hall Gallery, North Dakota State University, Fargo, ND
Critical Mass, GaleRica in Makarska, Croatia and Fundación CIEC in Betanzos, Galicia, Spain.
2013 In Art We Trust, Galería Sol del Río, Guatemala City, Guatemala
PrintEd: HERE, Contemporary Prints from the US, Turkey and Ireland, LSAD Gallery, Limerick School of Art and Design, Limerick, Ireland
Trace + Gestures, Print MKE, Southern Graphics Council International Conference, Graymatter Gallery, Milwaukee, WI; University of Colorado at Boulder; Fine Arts Center Gallery, Northeastern Illinois University, Chicago, IL; Proyecto’ACE, Buenos Aires, Argentina.
Critical Mass, Print MKE, Southern Graphics Council International Conference, Milwaukee, WI
Crossings, Two-person show with Nayda Collazo-Llorens, Point of Contact Gallery, Syracuse, NY (catalogue)
2012
Valoarte, Avenida Escazú, San José, Costa Rica
11na Bienal de la Habana, Centro de Arte Contemporáneo Wilfredo Lam, Havana, Cuba (catalogue)
2011
Images, Politics, and Social Networks, Darb 1718, Old Cairo, Egypt
WYSIWYG, PGCC Marlboro Gallery, Largo, MD
2010
VII Bienal de Artes Visuales del Istmo Centroamericano, Teatro Nacional Rubén Darío, Managua, Nicaragua
I Trienal Internacional del Caribe, Museo de Arte Moderno, Santo Domingo, Dominican Republic
2009
VII Bienal de Artes Visuales Nicaragüenses, Palacio Nacional de la Cultura, Managua, Nicaragua
Splitgraphic IV: International Graphic Art Biennial, Split, Croatia
Transfer Lounge, Forja ArteContemporáneo, Valencia, Spain & SPACE Gallery, Pittsburgh, PA
Gestures 13: An Exhibition of Small Site-Specific Works, Mattress Factory, Pittsburgh, PA
Estrago Ecológico, Universidad Centro Americana, Managua, Nicaragua (catalogue)
Yes, Thank You, The Brew House Space 101, Pittsburgh, PA
2008
Eclectic Photography, The Americas Collection, Coral Gables & Wynwood, FL
Imprint 2008: Kulisiewicz International Graphic Arts Triennial, Warsaw, Poland
Episodios e Itinerarios 2, Centro Cultural de la Pontificia Universidad Católica del Ecuador, Quito, Ecuador
Media Tonic 3, Pittsburgh Filmmakers, Pittsburgh, PA
Third International Biennale for the Artist’s Book 2008, Bibliotheca Alexandrina, Alexandria, Egypt
Moving Targets Objetivos Móviles, public art print project in Buenos Aires, Argentina
EntreMuros / BetweenWalls, University of Miami, C.A.S. Gallery & Wynwood Project Space, Coral Gables, FL
2007
Point of View, Gallery MC, New York, NY
Power: The Definition of Feminine Power, Future Tenant, Pittsburgh, PA
International Multiple Art Exhibition, Gyeongnam International Art Festival, Masan, South Korea
Falun Triennial, Dalarnas Museum, Falun, Sweden
IX Bienal de Cuenca, Cuenca, Ecuador
Further, Galleria Harmonia, Jyväskylä, Finland; Grafikos Galerija, Kaunas, Lithuania; The Frans Masereel Centre, Kasterlee, Belgium; Graficki Kolektiv Gallery, Belgrade, Serbia; Galerie Hörnan, Falun, Sweden; and Gustav Klimt Villa, Vienna, Austria
Espacio/Central/Space, Off Axis Santa Barbara City Festival – Installations Multi-sites, Santa Barbara, CA
Stowarzyszenie Miedzynarodowego Triennale Grafiki w Krakowie International Print Triennial Krakow, Contemporary Art Gallery "Bunkier Sztuki," Krakow, Poland; Horst Janssen-Museum, Oldenburg, Germany, and Künstlerhaus, Wien, Austria (catalogue)
AIR10, Artist Image Resource, Pittsburgh, PA
permanent public art
2014
MACRO2NANO, (in collaboration with Nayda Collazo-Llorens) Heiser Natural Sciences Building, New College of Florida, Sarasota, FL
selected video screenings
2023
PUSH <> PULL, Monroe-Brown Gallery, Richmond Center for Visual Arts, Western Michigan University, Kalamazoo, MI
2021
Transoceanic Visual Exchange (TVE) 4, Costa Rica & Barbados - online due to COVID
2020
The Angel, Azrail, Bivouac#2 / Breathing Out of School, RAW Académie, Paris, France. In collaboration with Mustafa Boga.
2014
ADAPTE, Public Interventions, San Salvador, El Salvador
Transborder, Anthology Film Archives, New York, NY
2013
Festival International Videoakt 2013, Barcelona, Madrid
2010
Memories at the Crossroads, 24th NC Latin American Film Festival, University of North Carolina, Chapel Hill, NC
2009
II Festival Internacional de Videoarte - II International Festival of Videoart, Camagüey, Cuba
Optica Festival, Gijón, Spain
2003
Video Show – Bayshore NY, Bayshore, NY, USA
artist residencies / seminars
2018
Fellowship, Yellowstone National Park, Yellowstone, MT
2016
Red Gate, Beijing, China
Itinerant Summer Seminar, Beta-Local, Western Coast of Puerto Rico
2015
Ox-Bow, Saugatuck, MI
Crossover Bellingham, Western Washington University, Bellingham, WA
2012
Kansas City Artist Coalition Residency, Kansas City, MO
2006
Artist in Residence International Program (ARIP), Proyecto’ACE, Buenos Aires, Argentina
2005
Creative Heights Residency, Heinz Endowment for project at Artist Image Resource, Pittsburgh, PA
2004
MacDowell Colony, Peterborough, NH
Vermont Studio Center, Johnson, VT
Print Residency, University of Iowa, Iowa City, IA
1992
Research Fellowship & Residency, The Studio for Creative Inquiry, Carnegie Mellon University, Pittsburgh, PA
EDUCATION
2024
Ph.D. (with distinction), Eugeniusz Geppert Academy of Art and Design, Wrocław, Poland
1990
MFA, West Virginia University, Morgantown, WV, USA
1988
BFA, Louisiana State University, Baton Rouge, LA, USA
awards & honors
2023
Faculty Research Travel Fund (FRTF)
Faculty Research and Creative Activities Award (FRACAA), grant, Western Michigan University for project Imprints
2022
Faculty Research Travel Fund (FRTF)
Kalamazoo Artist Development Initiative (KADI) grant, Arts Council of Greater Kalamazoo for onset>
2018
National Association of Latino Arts and Culture grant for Retrace: Michigan
2017
Kalamazoo Artist Development Initiative (KADI) grant, Arts Council of Greater Kalamazoo for Retrace
2016
Faculty Research and Creative Activities Award (FRACAA), grant, Western Michigan University for project Transport, Displacement, and Memory
Sabbatical, Frostic School of Art, Western Michigan University, AY 2016-2017
2015
Scholarship, National Association of Latino Arts and Cultures to attend the NALAC Detroit Regional Arts Training Workshop
Support for Faculty Scholars Award, Western Michigan University for project Marea Series
2013
International Education Faculty Development Fund, Western Michigan University to present at the IMPACT8 Printmaking Conference in Dundee, Scotland
2012
Faculty Research and Creative Activities Award (FRACAA), Western Michigan University for project Cystema... in Havana, Cuba
2011
International Education Faculty Development Fund, Western Michigan University for project Mesoparasitio in El Salvador
2008
Distinguished Faculty Award for Creative Arts, Indiana University of Pennsylvania
2007
University Senate Research Grant, Indiana University of Pennsylvania for the presentation of Cuerpos Sin Bordes at the Cuenca Biennial in Ecuador
2006
Artist Opportunity Grant, Greater Pittsburgh Arts Council for EntreMuros / BetweenWalls in Mexico
2005
Creative Heights Residency Grant, Heinz Endowment grant for Aflujo/Afflux residency and exhibition at Artist Image Resource, Pittsburgh, PA
University Senate Research Grant, Indiana University of Pennsylvania project Sobremar in Nicaragua
2004
PA Partners for the Arts, PA Council for the Arts project Hoverings
S.O.S. Grant, Pennsylvania Council for the Arts project Hoverings
University Senate Research Grant, Indiana University of Pennsylvania for project Hoverings
Sabbatical, Indiana University of Pennsylvania, Fall 2004
2002
University Senate Research Grant, Indiana University of Pennsylvania for project at the III Central American Biennial, Managua, Nicaragua
Individual Artist Fellowship, Pennsylvania Council for the Arts, Category: Painting
University Senate Research Grant, Indiana University of Pennsylvania for project at the Iberoamerican Biennial of Perú, Lima, Perú
S.O.S. Grant, Pennsylvania Council for the Arts for project at the Iberoamerican Biennial of Perú, Lima, Perú
2001
University Senate Research Grant, Indiana University of Pennsylvania for project at the Prague Print Triennial, Prague, Czech Republic
Honorable Mention, III Bienal de Artes Visuales Nicaragüenses
2000
Honorable Mention, II Bienal de Pintura del Istmo Centroamericano, San José, Costa Rica
Honorable Mention, II Bienal de la Pintura Nicaragüense
Individual Artist Fellowship, Pennsylvania Council for the Arts, Category: Photography
1997
Residency Fellowship, Jack Straw Studios (Audio production)
1995
Carpenter Grant Recipient, Southern Oregon State College
1994
Professional Development Grant Recipient, Southern Oregon State College
1993
Individual Artist Fellowship, Oregon Arts Commission
1992
Research Fellowship & Residency, The Studio for Creative Inquiry, Carnegie Mellon University, Pittsburgh, PA
New Forms Regional Grant Program Fellowship, The Painted Bride, Philadelphia, PA
Project Fellowship (via WDUQ), Pennsylvania Council for the Arts
selected books
Retrace. Kalamazoo: Western Michigan University, Kalamazoo, 2017. Catalog.
Candiani, Alicia."Obras: Selección de Artistas, Gráfica Contemporánea de Campo Extendido." ánodo-cátodo: Electrólisis y la Galvanografía, la Memoria Química Esculpida por Electrones. Ed. Ana Soler and Kako Castro. Pontevedra: DX5, 2013. 318-19.
Calvo, Ernesto. “Video art in Central America? eppur se mueve,” Video en latinoamerica: una historia crítica. Madrid: Brumaria, 2008. pp. 92-105
Moarquech Ferrera-Balanquet, Raúl. “Transnational Latin video art in USA – Canada: 1960-2007,” Video en latinoamerica: una historia crítica. Madrid: Brumaria, 2008. pp. 151-158.
Noyce, Richard. Printmaking at the Edge. Basingstoke: Macmillan Distribution Ltd., 2006.
Patricia Villalobos Echeverría. Pittsburgh: Artists Image Resource, Pittsburgh. Organized in Association with West Virginia University, Morgantown, 2006.
Luna Briñardeli, Juan Carlos. Fotografía latinoamericana 1991-2002. Barcelona: Lunwerg, 2003.
Torres, María Dolores G. Del Arte Occidental al Arte Nicaragüense. Managua: Fundacion Ortiz-Gurdián, 2003. pp. 160, 240.
Pérez-Ratton, Virginia. Temas Centrales: Primer Simposio Centroamericano de Prácticas Artísticas y Posibilidades Curatoriales Contemporáneas. San José: TEOR/éTica, 2001.
Hartup, Cheryl. "Raiz, Rama Y Flor: Artists of Latin-American Descent in Oregon," Nosotros: The Hispanic People of Oregon. Portland: Oregon Council for the Humanities, 1995. pp. 104, 107-108.
selected reviews & publications
Miranda. "Arte público y gentrificación cultural en Nicaragua" Multiversidad Libertaria, 2020
Véliz, Marivi. "Intagible Monuments / Monumentos a lo intangible." Retrace, 2017
Getsy, David. "On Gender, Secuality, and Art"Exibart, https://tinyurl.com/Getsy-Exibart, March 2017
Villavicencio, Franklin. “Las Voces De La Vieja Managua Andan En Caponera - Niu.” Niú, 6 Mar. 2017, niu.com.ni/las-voces-de-la-vieja-managua-andan-en-caponera/.
Zamorán, Leysi. “Relatos Sobre Managua En Caponeras.” El Nuevo Diario, 5 Mar. 2017.
Velásquez, Uriel. “Paseos Gratuitos En Caponera Por La Vieja Managua.” El Nuevo Diario, 2 Mar. 2017.
Agüero, Arnulfo. "Patricia Villalobos Y Sus Instalaciones Familiares." La Prensa [Managua] 03 Feb. 2017, CULTURA sec.: 1-2.
Sevilla Bolaños, Letzira. “Patricia Villalobos Expondrá En Mácula.” El Nuevo Diario, 1 Feb. 2017.
“Desdobles: Dualidad y Transformación a Través Del Tiempo.” ManaguaFuriosa.com, 1 Feb. 2017, www.managuafuriosa.com/desdobles-dualidad-transformacion-traves-del-tiempo/.
FILOTEOS 4. Dir. Ricardo Huezo. Perf. Patricia Villalobos Echeverría, Ernesto Calvo, Luisa Fuentes Guaza Y Marivi Véliz. FILOTEOS 4: Análisis De Arte Contemporáneo Nicaragüense. EspIRA La Espora, 5 Jan. 2017. Web. 5 Feb. 2017.
"Red Gate Residency: 15 Years, 9 Studios, 800 Residents." 314 Art World Dec. 2016: 28-35.
Cassel, Graciela, prod. "Traversing Territories." Transborder Art. BRIC TV. Brooklyn, New York, 31 July 2015. Television.
Cornejo, Kency. “‘Does That Come with a Hyphen? A Space?’ The Question of Central American–Americans in Latino Art and Pedagogy.” Aztlán: A Journal of Chicano Studies, vol. 40, no. 1, 2015, pp. 200–201.
McQueen, Kathleen. "Utopias and Realities." Shifting Connections. Shifting Connections, 01 Oct. 2014. Web. 04 Oct. 2014. http://shiftingconnections.com/2014/10/01/utopias-and-realities/.
Olson, Kristina. "Subaltern Identities: A Conversation with Patricia Villalobos Echeverría." ARTPULSE Magazine 5.18 (2014): 44-47.
Lupu, Ruxandra. La Grafica D'Arte E Le Societá. Accademia, 2014.
Garzón-Diaz, Valia. "Patricia Belli and Patricia Villalobos." Rev. of Uncertainty Principle and Swarm Exhibitions. ArtNexus 12.90 (2013): 118-19.
Moneo, Myriam B. "Mismo Nombre, Idéntico Arrebato." Vida Y Exito. N.p., 9 Apr. 2013. Web. 21 Sept. 2013. <http://www.vidayexito.net/?p=3812>.
Matos, Dennys. "Patricia Villalobos Y Patricia Belli, Instalaciones Y Formas." Rev. of Exhibition. El Nuevo Herald [Miami] 25 May 2013, Especial sec.: n. pag. Patricia Villalobos Y Patricia Belli, Instalaciones Y Formas. El Nuevo Herald, 25 May 2013. Web. 12 July 2013. <http://www.elnuevoherald.com/2013/05/25/1482766/patricia-villalobos-y-patricia.html>.
Herrera, Adriana. "Arte Al Día / International / Contents / News / Patricia Villalobos at the CAVC/MUA, Tegucigalpa, Honduras." Arte Al Día / International / Contents / News / Patricia Villalobos at the CAVC/MUA, Tegucigalpa, Honduras. N.p., 12 May 2014. Web. 12 May 2014. <http://www.artealdia.com/International/Contents/News/Patricia_Villalobos_at_the_CAVC_MUA_Tegucigalpa_Honduras>.
Rojas-Sotelo, Miguel. "Decolonial AestheSis at the 11th Havana Biennial." Social Text (Periscope). Nov. 2013
Astiasarán, Clara. Fallas de Origen: Notas a Propósito de Cystema@23°8’27.054”N 82°21’10.117”W." Patricia Villalobos Echeverría, XI Bienal de La Habana. Kalamazoo, 2013. (Bilingual, translators: Katy Scrogin and Zoya Kocur)
Sevilla Bolaños, Letzira. "Patricia Villalobos: Cystema@23°8'27.054"N 82°21'10.117"W." El Nuevo Diario [Managua] 9 June 2012, El Nuevo Amanecer Cultural sec. El Nuevo Diario. 09 June 2012. Web. 20 Aug. 2012. <http://www.elnuevodiario.com.ni/suplemento/nuevoamanecer/2134_patricia-villalobos:-cystema@23°8’27.054”n-82°21’10.117”w>.
Gómez De Mello, Gorge. "Patricia Villalobos, Entre Lo Juguetón Y Lo Ofensivo." Arte Contemporáneo Del Caribe Y Las Américas. Arte Por Excelencias, 10 May 2012. Web. 25 May 2012. <http://arteporexcelencias.com/es/noticias/2012-05-10/patricia-villalobos-entre-lo-jugueton-y-lo-ofensivo.html>.
Cornell, Deborah. "Animated Pages: The Virtual(R)evolution of the Book." Journal of the College Book Art Association Vol 1 No. 1 (2012). <http://journals.sfu.ca/cbaa/index.php/jcbaa/issue/view/1/showToc>.
Michels, Laura. "UICA Unveils Works by Artists Responding to Venue's 'unique Architecture'." The Grand Rapids Press, <http://www.mlive.com/entertainment/grand-rapids/index.ssf/2011/12/uica_unveils_works_by_artists.html>, 10 Dec. 2011.
Santos, Juan José. "Patricia Villalobos: Mesoparasitio." ARTPULSE: International Contemporary Art Fall No. 9 (2011): 81.
Chammah, Maurice. “Grand Statements on Politics and Social Networks at Darb”. Retrieved November 5, 2011, from Daily News Egypt: http://thedailynewsegypt.com/art/grand-statements-on-politics-and-social-networks-at-darb.html#, October 11, 2011.
Nóchez, M. L. (2011, July 22). “Exposición Mesoparasitio” - ElFaro.net. Retrieved August 02, 2011, from ElFaro.net: http://www.elfaro.net/es/201107/guiacultural/4864/, July 22, 2011.
González, Óscar. “Un ‘mesoparasitio’ invade el MARTE.” La Prensa Gráfica, http://www.laprensagrafica.com/fama/cultura/206312--un-mesoparasitio-invade-el-marte.html, July 20, 2011.
Mendoza, G. “La dualidad se apropia del espacio”. El Diario de Hoy, July 19, 2011 , p. 54.
Olmedo, D. “Mesoparasitio sugiere un continuo estado de transición y refleja nuestra condición contemporánea”. Fundación Clic: Arte y Nuevas Tecnología, http://clic.org.sv/?p=16310, July 19, 2011.
Thomas, Mary. “Pittsburgh’s Center for the Arts exhibits invite public to touch, think”, Pittsburgh Post-Gazette.com. www.post-gazette.com/pg/10265/1089250-437.stm, September 22, 2010.
Peñalba, Rodrigo. "Patricia Villalobos Echeverría Participa En La I Trienal Internacional Del Caribe En Santo Domingo." Web log post. ~ Analog ~. Rodrigo Peñalba, 30 Aug. 2010. Web. 14 Oct. 2011. <www.marcaacme.com>.
Kuntz, Melissa. “The Mattress Factory’s latest Gestures show is by turns sobering and touching”, Pittsburgh City Paper. http://www.pittsburghcitypaper.ws/gyrobase/Content?oid=oid%3A71788, November 19, 2009.
Agüero, Arnulfo. “Escenarios de la VII Bienal de Artes Visuales”, La Prensa.com.ni. http://www.laprensa.com.ni/2009/11/14/suplemento/la-prensa-literaria/200, November 14, 2009.
Gonzales, Marta Leonor, ed. “Seis obras nicas a la Bienal de Artes de Panamá”, 400 Elefantes. http://educacion.vivenicaragua.com/400elefantes/2009/11/13/seis-obras-nicas-a-la-bienal-de-artes-de-panama.html, November 13, 2009.
Shaw, Kurt. “Artists air their personal struggles in Mattress Factory’s latest ‘Gestures’ exhibit”, Pittsburgh Tribune Review. http://www.pitsburghlive.com/x/pittsburghtrib/ae/museums/s_635860.html, July 29, 2009.
Villalobos, Patricia. Richard Noyce ed. “Convergencia (Convergence)” Grapheion. Memory of the Future, 2008 Yearbook Vol. 21, Prague, Czech Republic, 2009
Baigorri Ballarín, Laura. "Vídeo en Latinoamérica. Una historia crítica."Brumaria y AECID (Red de Centros Culturales de España), Spring. Madrid, Spain, 2008. http://videoarde.net/video-en-latinoamerica/
Törner, Marianne. "Bort från traditionens mittfåra (Off the tradition...)", Dalarnas Tidningar, http://www.dalarnastidningar.se/nyheter/falun/article224201.ece, September 15, 2007.
Lundén, Ulf. "Falun exploderar I grafik (Falun exploding in Graphic)," Dala-Demokraten, http://www.dalademokraten.se/Opinion--Kultur/Kultur/2007/08/25/Falun--exploderar--i-grafik/, August 25, 2007.
Shaw, Kurt. "Into the Deep," Pittsburgh Tribune-Review.com, http://www.pittsburghlive.com/x/pittsburghtrib/s_470300.html, September 14, 2006.
Olson, Kristina. “PITTSBURGH,”Art Papers, Vol. 29:5, September/October 2005.
Shaw, Kurt. “Annual Exhibition raises the bar,” Pittsburgh Tribune Review, http://www.pittsburghlive.com/x/pittsburghtrib/news/s_344884.html, June 19, 2005
Thomas, Mary. "Annual Exhibition continues to establish itself as festival tradition," Pittsburgh Post-Gazette.com, http://www.post-gazette.com/pg/05159/517297.stm, June 8, 2005.
Noble, Alastair & Kathy Bruce. "Patricia Villalobos on the Third Ibero-American Biennial," Sculpture, No. 7, Vol. 22, pp. 22-23, September 2003.
Calirman, Claudia. "De lo que soy / Of what I Am," Art Nexus, No. 49, Vol. 2, pp. 151-153, Jun-Aug 2003.
Cotter, Holland. "De lo que soy/Of What I Am" and "Taino Treasures," Art in Review, Leisure/Weekend Desk, Friday, April 25, 2003.
Vega, Maria. "En el espejo del recuerdo," El Diario La Prensa, Edición Tri-estatal NY, NJ, CT, Sunday, April 20, 2003.
Zimmer, William. "Through Her Eyes Only," The New York Times, WE: Arts and Entertainment, Sunday, April 13, 2003.
Roth, David M. "'Postflesh' at the University Library Gallery, CSU Sacramento" Artweek, April 2003.
Pagliasso, GianCarlo. "Sacramento-California-Postflesh: Visualizing the Techno-Self," Iride, Feburary 2003.
Dalkey, Victoria. "Merging with Machines," The Sacramento Bee, Sunday, February 23, 2003.
Torres, María Dolores G. "III Bienal del Istmo" Art Nexus, No. 47, Vol. 1, pp. 84-88, Jan-Mar 2003.
Rodriguez, Bill. "Beauty and chaos: the RISD Museum's Crisis Response," Arts – the Providence Phoenix, January 3, 2003.
Torres, María Dolores G. "III Bienal de Artes Visuales del Istmo Centroamericano: Reflexiones sobre el Arte y Su Tiempo," Nuevo Amanecer Cultural [Managua] Saturday, October 5, 2002.
Torres, María Dolores G. "Transculturación y Pluridad en el Arte de Patricia Villalobos." Nuevo Amanecer Cultural [Managua] March 9, 2002, p. 1. Print.
Rosales, Auxiliadora. "Bienal rompió con lo tradicional," La Prensa [Managua] August 4, 2001:12B.
Morales Alonso, Luis. "Antología de mujer en las artes visuales," La Prensa Literaria [Managua] May 26, 2001, p 7.
Díaz Bringas, Tamara. "Aguijoneando," La Nación [San José] May 21, 2001, p. 12.
Concepción, Clara Elena. "No Hay Peor Ciego...," La Nación April 15, 2001: Arte.
Montero, Maria. "Todos contra la pared," La Nación [San José] April 5, 2001, p. 27.
Schumacher, Camila. "Arte de Impacto," La Nación [San José] April 2, 2001, p. 8.
González, Ariel Chaves. "Reapertura con secreciones," La Prensa Libre [San José] March 26, 2001: Revista Abanico.
Thomas, Mary. "'Systems' explores new territory at Brew House," Pittsburgh Post-Gazette December 5, 2000.
Thomas, Mary. "African rituals, Caribbean spirit, enliven CMU exhibit," Pittsburgh Post-Gazette October 21, 2000.
Sanchez, Milagros. "Arte femenino contemporáneo y crítico," La Prensa [Managua] Saturday, June 3, 2000:9B.
_____. "Nicaragua Logra Mención en Bienal C.A.," La Prensa [Managua] Wednesday, September 27, 2000: 4C.
_____. "Pintura - II Bienal," La Prensa Literaria [Managua] September 30, 2000, p. 5.
Madden, Dave. "The Art Form Still Known as Prints," In Pittsburgh Newsweekly Sept 1 - Sept. 8, 1999.
Goldman, Shifra. "Mirror - mirror on the wall..." ArtNexus, No. 32, April-June, p.72, 5p., 1999.
Pulin, Carol. "Exhibitions, Catalogues & Books," Contemporary Impressions, vol. 6, No. 2, p.26, Fall 1998.
Sobalvarro, Juan. "Patricia Villalobos por una Identidad Abierta," La Tribuna Friday, June 5, 1998.
Sobalvarro, Juan. "Transculturación: Un Conversatorio con Patricia Villalobos," La Tribuna Friday, May 29, 1998:7C.
Shearing, Graham. "Dynamism already evident at Foreland Street," Pittsburgh Tribune-Review, Sunday, January 4, 1998.
Thomas, Mary. "Foreland Street Exhibition," Pittsburgh Post-Gazette, Saturday, December 20, 1997.
Krainak, Paul. "Appalachian High Resisting Misrepresentation," New Art Examiner, vol. 25, No. 2, p.30-35. October 1997.
Pérez-Ratton, Virginia. "Las Razones de Mesótica II," Artefacto, vol.14, p. 2-6. August 1997.
Romero, Margie. "Sense-Delighting." In Pittsburgh Newsweekly June 26-July 2, 1997:23.
Báez, Julio León. "Exposición de pinturas en el CCM." La Prensa Wed. June 4, 1997:3C.
Navalmoral, Rubén M. "La re-generación artística de Centroamérica," Ya Tuesday, June 3, 1997.
Reyes, J.A. Alvarez. "El Arte Centroamericano Salta a la Arena Internacional desde Madrid" El Mundo Tuesday, June 3, 1997.
Pérez Leon, Dermis. "Mesótica II: re-generación necesaria," ArtNexus, No. 24, April-Junio 1997.
Cullum, Jerry. "Emigré life takes multiple forms." The Journal-Constitution March, 1997.
Shearing, Graham. "Diverse, Unified look at sexual minorities," Pittsburgh Tribune-Review, Friday, Sept. 6, 1996.
Kachmar, J. Scott. "Diverse and Unified at Space 101," Artwords, vol. 1, No. 2, p. 4, September 1996.
Slaven, Michael. "Out of Print," Afterimage, March/April 1996. Print.
Anderson, Isabel. "LA Printmaking Society's National Biennial at Loyola Marymount," Artweek vol. 26, no. 7, July 1995.
public collections
Anchor Graphics, Columbia College, Chicago, IL
Artist Image Resource, Permanent Collection, Pittsburgh, PA
Bibliotheca Alexandrina, Alexandria, Egypt
Egress Press, Edinboro University of Pennsylvania, Edinboro, PA
Erie Art Museum, Erie, PA
Fundación Gurdián-Ortiz, León, Nicaragua
Museo de Arte y Diseño Contemporáneo, San José, Costa Rica
Northwest Museum of Arts and Culture, Spokane, WA
Southern Graphics Council International, Permanent Collection
Teatro Nacional Rubén Darío, Managua, Nicaragua
The University of Iowa, Permanent Print Collection, Iowa City, IA
University of Wisconsin - Madison, Madison, WI
University of Wisconsin - Milwaukee, Milwaukee, WI
US Embassy of Nicaragua, Permanent Collection, Managua, Nicaragua
Western Michigan University, University Art Collection, Kalamazoo, MI
West Virginia University, Permanent Collection, Morgantown, WV